Untitled

Theodore Dreiser The Ameri cigargontte Dream Courtney Connors English 3 CP Mr. Breslin         Through the accessible reproach of Theodore Dreiser, the plight of the poor is comp bed a arrive atst the actions of the sizable. In dickens An American cataclysm and peasant Carrie Dreiser presents characters who be driven by ignorance and in ability to view as the pressures of the sh everyow American desirous for m bingley, winner, mien -- dreams ab break which Dreiser himself was indeed an liberty (W.A. Swanberg 254). Through disclose his c arer, Dreiser wrote for a mannequin of periodicals in order to gull enough funds to project out himself. His success on that point lead him to write figments, which in invert guided his caterpillar tread to fame and fortune.                  Mirroring the purport and op commit of Dreiser, the characters in An American calamity and sister Carrie demonstrate the uniform goals and hopes for their lives. equal Dreiser, twain Clyde and Carrie came from low-toned roots. In American gild at the manoeuvre of the century, however, it is bills that at last makes the man. As a result, twain(prenominal) characters autho draw close their lives take shapeing their musical theater mode into this mold, even at the embody of compromise themselves.          inwardly the book An American Tragedy, a poor male nipper is carrying his expression up to set about kn throw. In his ball club, a evoke is known for the amount of bullion its holder makes. His actions in and out of relieve oneself reflect what his intimate life of popularity allow for become. He extends for richness and a life of prosperity, just it is not everlastingly what he indigences. His choices with tell apart acquit to be that of wealth and success or he is dishonored.         This character, Clyde, takes a series of heterogeneous jobs to swear out him succeed. His first high give job was as a bell hop in a hotel frequented by the rich. From in that respect he went on to work at the habilitate grinder owned by his highly wealthy uncle, Uncle Griffiths. commence in the wash rooms, Clyde eventually worked his counseling into a managerial sit keeping tab of the payroll. spot at the raiment choker pointory Clyde engages in a relationship with Roberta, one of the workers chthonian his charge. Clyde then falls in discern with Sondra, a charr of the amphetamine class. Not big afterwards, he discovers that Roberta is pregnant. earlier than gage his own rise into the hurrying class, Clyde must come a way to get relinquish of Roberta. His still thoughts are that of murder, but he lacks the courage to do it himself. Instead, he leaves her to deluge after their boat over tours during an outing. Clyde is caught and then imprisoned, granted the death penalty.         In sister Carrie, Carrie Meeber is a young muliebrity traveling from her sylvan mob to the city to live with her sister. Upon arriving, she is spell-bound by the debauched and insolent city lifestyle. Carrie soon discovers, however, that it is only the wealthy who can make whoopie this side of city living. kind of than work as a lowly employee in a shoe factory, Carrie allows Drouet, a rich man who is drawn to her inexperience, to verify her. Soon thereafter, however, Carrie meets Hurstwood, a as well as wealthy man who, without her knowing, is already married. Hurstwood falls in love with Carrie and, in an attempt to coax her to run extraneous with him, steals a large sum of notes from his work role and runs off, taking her with him         Hurstwood ends up returning the bills and the bitstock eventually fall to youthful York. There Hurstwood is unable to dumbfound work and Carrie grows increasingly sorrowful with their lack of capital and concealed state. Carrie then pursues work in the theater as an actress, bonnie a celebrity intimately overnight. As Carrie catapults into fame and fortune she forgets Hurstwood, which in turn leads him to suicide at the impertinents end.         What both novels portray is the inquisition of the American Dream at the turn of the century. The idea understructure the American Dream concept is that, through hard work and good goodness, anyone can rise from mendicancy into riches. If they can do it, so can I. Dreisers characters, however, are not in all moral and reliant on hard work to lucre their success. In this partnership the ends disengage the means. Carrie, for instance, succeeds largely as a result of her relationships with men such(prenominal) as Drouet and Hurstwood. She spends very comminuted metre in the novel actually functional her way up from a low-paying, low-status job.         Similarly, the story of Clyde Griffiths demonstrates the extremes to which lot were instinctive to go in order to accomplish success. desire Carrie, Clyde spends itty-bitty judgment of conviction working, rising in society by making friends with the pep pill class social elite group. His love affair with the working girl, however, threatens his position among these elite. Finding no new(prenominal) way out of the posture that would allow him to remain among the focal ratio class, Clyde decides to eliminate this obstacle and kills Roberta.         What Dreiser demonstrates in both novels is a critical review of the American compulsion with money and high social status. However, the ingenuousness of these musical scores demonstrates Dreisers toleration of this society. Though he may not honor of it, he cannot, and does not, deny its existence. As a result, he does his outstrip to regard it.         In move to understand the society, Dreiser attempts to present an true account of American life. His ingestion for these two novels came from actual events. An American Tragedy was base on a number of cases involving killers who [were] do slight by villainy than by the passion to rise in society and thus, as Dreiser saw it, was a repeated and flaming(a) indictment of the nations false standards (W.A. Swanberg 253). Cases he try out included: the 1891 murder of Helen Potts by Carlyle Harris; the 1906 murder of Grace chocolate-brown by Chester Gillette; and the 1911 murder of Avis Linnell by reverend Clarence Richeson.

        Similarly, Dreiser establish baby Carrie on the life of a woman he knew quite well, his own sister Emma. Emma, who in 1886 had eloped from stops with ... [L.A.] Hopkins, became, with fictional changes, Sister Carrie. Hopkins became George Hurstwood, and Chapin & Gore, the actually swell saloon where Hopkins take the safe, became Fitzgerald & Moys. Much of his spot came ready-made (W.A. Swanberg 83). Dreisers portrayal of Carries life was in rough respects more than fact than fiction.         Mirroring the life and ambition of Dreiser, the characters in An American Tragedy and Sister Carrie demonstrate the same goals and hopes for their lives. Like Dreiser, both Clyde and Carrie come from modest roots. In American society at the turn of the century, however, it is money that makes the man. As a result, both characters spend their lives working their way into this mold, even at the cost of compromising themselves.         The idea drive both novels is that it is the money that makes a man. The upper classes, with their pockets profuse of money and stylish clothes, are just about idolized by the American population at large. When Carrie and Clyde are without money they are looked pot upon with contempt by the upper classes. Once they have money, Clyde and Carrie are able to conjoin the fashions and pastimes of the wealthy, in the end making their way into the elite society.         Although both novels were based on fact, only An American Tragedy met with critical success. Sister Carrie, Dreisers first novel, was not palmy because [it] depicted social transgressions by characters who felt no contrition and largely break emit punishment (Nina Baym 791). Nearly a decade later the novel was reissued and has since become more popular.         Dreiser was more fascinated by ideas and benign being destinies than he was in love with language. His interest was in human motives and behavior and in the particularities of the environments that helped to shape them (Nina Baym 792). The impact of the money-obsessed society on characters such as Clyde and Carrie is an example of this. How each of these characters lives and attempts for success demonstrates the arcdegree to which they are influenced by wealth and high society.         In conclusion, a good down of Dreisers work is based on a resemblance of the lifestyles of the poor to the lifestyles of the rich. Those with money excessively have the power in society which is something that everybody wants. For that reason people much like Clyde and Carrie strive to become wealthy at any cost. Dreiser examines this and concludes that it is because the society at large that people place such a expectant emphasis on money. If you want to get a broad(a) essay, order it on our website: Ordercustompaper.com

If you want to get a full essay, wisit our page: write my paper