Vanity in "The Picture of Dorian Gray" and "Frankenstein"

The quality or state of cosmos abortive; inadequacy of substance to satisfy desire; emptiness; unsubstantialness; unrealness; falsity, is the rendering of vanity according to Websters revised unabridged dictionary. Vanity breaks lives. In the novels Frankenstein by Mary Shelley, The Mayor of Casterbridge by Thomas Hardy, and The video of Dorian Gray by Oscar Wilde, one can see to it the way vanity destroys the lives of a character.

In Frankenstein, Victor Frankenstein desires to be a creature in essence to be God. His call for of substance leads him to create a hulk. After creating the monster Frankenstein abandons him. The monster is then left with an emptiness for want of brotherhood and lamb which leads to the death of the lot Frankenstein love the or so. [He] beheld those [he] loved spend vain sorrow upon the graves of William and Justine, the first hapless victims to [his] unhallowed arts.(73)

Vanity is in Thomas Hardys The Mayor of Casterbridge, determining the actions of Michael Henchard. Henchard vanity leads him to make finding and constantly dwell on his past. Henchard wants to do the right topic that will let him keep his good name to the bit of going into competition with Farfare.



Henchard gives up any hope of being happy because he is to vain to let other people know his mistakes and to live in the present rather than in the past he cannot change.

The Picture of Dorian Gray is the most prominent example of vanity destroying life. Grays wish for eternal young leads him to a life of sin and treachery. His worship of youth and the truelove of youth allows him to feel little to know regret over misdeeds. His vanity over his looks eventually destroys him.

Vanity can and will destroy lives. In Frankenstein, the Mayor of Casterbridge and...

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