In a modern society where over 50% of marriages final result in divorce, the concept of true turn in has dissipated into a mere illusion that few are able to obtain, allow alone maintain. This situation was similarly seen in the late 1800s, when wad began to realize the detrimental effects of hasty and unstable marriages. Authors Gustave Flaubert of Madame Bovary and Emile Zola of Therese Raquin stage this concept through the irresponsible actions and dangerous repercussions resulting from weak and disappointed relationships and marriages.
        The two novels follow the central idea of a bad constructed marriage that eventually collapses because of a lack of true love between the partners. It is assumed that marriage entails the consent of the partners who have correlative affection for each other. However, in both of the novels, the characters are right away coerced into marriage because of obligation or financial reasons and lack a true sense of love.
        In Madame Bovary, the approval of marriage is non given by Emma, the protagonist, herself, but rather, by her father. Emma and Charles have short affection for each other, as the time that they spend unneurotic is compressed by Charless short periodic visits to her father. Nevertheless, the father takes it upon himself to link his daughter off to a person who is reputed to be of rigid character, thrifty and well educated.
(46) Thus, Emmas opinions toward Charless proposal are completely forgotten and unconsidered. This one-sided and hasty relationship is also brought on by Charless instantaneous rebound from his previous marriage. Charles, free from the constraints and limitations of his former wife, apace becomes attracted to Emma, as seen in, But Emmas face kept coming hold up before his eyes, (45) His attraction to her is what precipitates the marriage proposal, rather than true love. This absence...
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