In the book entitled Harlem Renaissance by Nathan Irvin Huggins a storey is told about the time period before World state of war I and the following years in which a down(p) Metropolis was created unlike the world had ever seen. It was the largest and by furthest the most important black community in the world. It brought unitedly black intellectuals from all over the world to this new portentous Mecca with dreams of prosperity and change. Their common goal was the prosperity of the New lightlessness as Alain Locke called them. This New Negro was one that was cultured, educated, exquisite, and would bring prosperity to the African-American. All these were the promises of the Harlem Renaissance. When people proverb Harlem, they saw opportunity, they saw a place where they could escape and enjoy artistic freedom. They saw liberation, they saw hope, they saw a place where self-assertion was in abundance. That confidence translated to the belief that reform could be attained. Sadly, Nathan Irvin Huggins points out that all they were was deceived by their dream. They all saw in Harlem much more than what was in truth there. A common belief was that they could use their talents as a way of bridging the gap between the races.
Unfortunately racism has been so deep rooted in the white American question that it would take more than the New Negro proving he had artistic talent to be accepted as one and the same. Huggins in like manner cites that their art was compromised by the fact that it was intended for white patrons and was non a full reflection of them. Another mistake they make was not organizing a grass roots movement. The black policy-making leaders failed to become a unified voting make and were unable to obtain true political power compulsory to...
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