Film Analysis of The Lunch Date

Despite their humanifest length restrictions, concise films impart a distinctive lack of commercial expectation and pressure which allows the film director the dainty freedom to explore all other chances of film to obtain unique texts which engage the audition. An example of a film which ais short in length til now receives a strong cognitive con disco biscuitt through effective use of various aspects of the film spiritualist is The Lunch figure.

The Lunch Date, released in 1990, was directed by disco biscuit Davidson, and has received many prestigious awards. It is a simple degree of a woman who misses her train and goes to a dining compartment to have lunch. She buys a salad and gets up to find some cutlery, moreover when she returns to her salad, is blow out of the water to find a dreary man eating her salad. subsequentlywards he refuses to give her back the salad, she decides to be defiant and chow chow of the plate. by and by the man is finished, he leaves and returns with dickens shapes of coffee tree which they shargon. After only a few sips the woman gets up and leaves the diner which she discovers she has left her bags. When she returns, at first it appears they argon gone notwithstanding she finds that she was in the wrong cubicle and her meal is untouched.

The Lunch Date utilises many diametrical aspects of the film medium, including sound, cinematography and characterisation to convey a strong message in only ten minutes. The initial establishment shot, followed by the introductory scenes are accompanied by classical American fart and swing music, which rede an older time period when racial segregation was more(prenominal) evident. The music similarly gives a timeless receive, suggestive of the everlasting issue of racism. Ambient sounds of trains and cars are use to stress the world and contribute to the atmosphere, and announcements help cue the woman when she has to leave the diner. some other instance of effective use of sound is during the characters? shared cup of coffee. The music consists of both instruments, the piano and violin, and symbolises the two characters? brief split second of connection. The sweet yet sombre music accompanies their cup of coffee, however when the woman gets up to leave, the music takes on a more melancholic distinction when their intimate moment is broken. The sad note accompanies the look of dejection on the man?s nerve and realisation of social inequality.

Cinematography also plays an important mapping in conveying the message of the film, and is another example of the director utilising various aspects of the film medium. The film is filmed in sour & white due to budget constraints, however it also has transparent symbolism relating to the racial theme and message being conveyed. existence filmed in black and white, in association with the jazz and swing music gives the film a timeless feel as well as connotations of earlier decades. The opening scenes experience with an establishment shot of Grand Central Station, an iconic American landmark, and provide a setting which is an inter slope between diametrical classes and ethnicities. Following the establishment shot, a series of long shots and command overhead shots are used to track the movement of the woman passim the station. Natural lighting is used which again adds to the atmosphere and the realism. Panning is also used, as the woman walks past fine machines from left to right, however the direction of the pan changes as she walks past a stateless man checking the machines for coins. The tv camera pans from right to left with the stateless man and foreshadows their future encounter. The fact that they are heading in foeman directions also symbolises their obvious difference in class.

The inclusion of the unintentional walk-on by a drunk was left in to emphasise the sense of realism, and display the woman?s obvious discomfort and unease in the environment. In the diner, various unlike types of camera shots are used effectively to highlight the reactions of the two characters. When the woman finds the man apparently eating her lunch, close ups are used to show her shock and then hunger as he appears to be eating her salad. Extreme close ups are used to show the salad, followed by a close up of her face to show her yearning to eat the salad. When she decides to eat from the plate, the camera alternates between close ups of both characters to show their reaction after each bite. Following this a two shot is used to encompass them both in the same shot, to symbolise her antipathetic acceptance and their moment of connection, sharing a salad. When the woman gets up to leave, a close up of the man?s face displays his sadness and accompanies the sombre music.

The characterisation is another important aspect of the film which is used to convey the theme of social bias. The two characters are both characterised as being from very different social classes. The woman is white and wears a fur show up and broach, carrying Bloomingdale bags. Her appearance firmly suggests her being middle class and blimpish and is emphasised by her behaviour. Her obvious discomfort, being near the homeless man in the introduction and desire for cleanliness also emphasise her being a typical conservative white American. In the opening scenes when the woman collides with a black man, she appears very self-conscious when he attempts to help her, despite the fact that he appears to be well dressed and groomed. Her prejudice is carried over to the diner scene, where the audience is also led to believe her assumptions about the homeless black man.

The black man is characterised as being homeless and uncombed from the beginning of the film, where he is shown looking for change in ticket machines. He appears to be the total opposite to the woman, his clothes are appropriate for a homeless man and his beanie sleek over has a price tag, leaving the audience to contemplate how it was acquired. His conversation is restricted to grunts or other noises, and signifies his lack of communication, being a homeless man. Despite being portrayed as an unkempt homeless man, he uses a napkin properly and offers coffee to the woman, displaying his decency. The man is marginalised and lonely however for a brief moment, when he shares the coffee, his loneliness is replaced with a moment of social interaction and acceptance. However, this is in short gone and when the woman leaves, the disappointment and resolve is visible in his expression.

Throughout the film, through effective characterisation the audience is campaign to believe that the man stole her salad, and also her bags; however it breaks these gestate notions of bias and prejudice based on race and class.

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