Fire means Knowledge

For Abner Snopes, squeeze out serves as a great leveller. It removes the distinction between himself and those whom he resents, while set him in the position of power to determine who leave behind contract and who will get not. He respects, then, the power of fire and is vigilant in his use of it.

While Abner Snopes uses fire as a means of punishment and vengeance, the protagonist in capital of the United Kingdom's "To Build a Fire" uses fire as a means of salvation. London describes his protagonist as a man of no caprice who was "quick and alert in the things of life, but unless in the things, and not in the significances" (88). This man stands alone with a cut across in the Yukon in temperatures of seventy-five degrees below freezing and ponders secret code more than the time it will take him to reach his colleagues. For him, fire is nothing more than a means of warming himself when necessary. He is inhabiting a world where things are turned around; peeing means death and fire means life. Even after he falls into the hidden water and fire is the only thing standing between himself and death, he never truly questions the ironies or significance of his situation. He is only concerned with hard to save as much of his body from frostbite as is possible.

The struggle London's protagonist undergoes is nothing more t

han a basic struggle for survival. As he approaches death, he never sympathizeks to repent sins he might have committed during life or ponder people he will miss or who may miss him. He appears to be a completely solitary and self-centered character, unbidden even to contribute the dog for his own survival. In this way, he is similar to Abner Snopes, who also does not appear to think of how his actions will affect anyone other than himself. Just as London's protagonist would sacrifice the dog, so too would Abner Snopes sacrifice his son in the cite of vengeance.

The story is not representative of common experience because the get through of one's benefactor is generally not very socially acceptable. That, alone, however, is not the reason the story lacks commonality.

Rather, the narrator's insanity and his reaction once he has killed the benefactor is what removes the story from the common experience. The narrator shows no intellect or remorse for his actions:

In "Othello," Iago causes everyone to fail to see the consecutive nature of those around them in whom they put their trust. Iago channels the passel of those he chooses by causing their mind to control their vision. His communication with Othello about the relationship between Desdemona and Cassio is illustrative: " looking for to your wife; observe her well with Cassio; Wear your eyes thus: not jealous nor secure" (III. iii. 197-98). Iago is aware that by suggesting that Othello should not be jealous, he is encouraging Othello to feel that very emotion. But Othello, who is blind, cannot see what Iago is doing. When he confronts Desdemona about her affair with Cassio he orders her to "[l]et me see your eyes. Look in my face" (IV. ii. 25-26). But the reader knows that Othello's command is useless. He had already made up his mind based on Iago's suggestions and he is now blind to the true nature of the situation.

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